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The Vinyl Frontier

The Story of NASA's Interstellar Mixtape

Audiobook
1 of 1 copy available
1 of 1 copy available
In 1977 a group of scientists, artists and writers gathered in a house in Ithaca, New York to work on the most important mixtape ever conceived. It wasn't from one person to another – it was from Earth to the cosmos. When NASA sent Voyagers 1 and 2 on a Grand Tour of the outer planets, they knew the ultimate fate of these plucky probes would be to drift forever in the unimaginable void of interstellar space. With this gloomy outcome in mind, NASA did something optimistic: they commissioned astronomer Carl Sagan to create a message to be fixed to the side of the spacecraft, should they ever be found by aliens. So Carl Sagan made a record. A metal record. The Vinyl Frontier tells the story of Voyager Golden Record, from first phone call to final launch, when Voyager 1 and 2 left our planet bearing their hopeful message from the Summer of '77 to a distant future.
"Bursts with gloriously geeky detail." THE TELEGRAPH
"A vital addition to the library of anyone with an interest in the Voyager missions, extraterrestrial contact, or Carl Sagan." ASTRONOMY NOW
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    • Publisher's Weekly

      Starred review from March 25, 2019
      Music journalist and Record Collector contributor Scott creates a high-energy, interplanetary pop song of a book devoted to the six-week project led by Carl Sagan and astrophysicist Frank Drake in 1977 to create a playlist of music and sounds to accompany NASA’s Voyager probe into space. Scott, who acknowledges he is more of an expert on mixtapes than astronomy, proves an enthusiastic and upbeat guide through the universe of bureaucratic red tape, tight deadlines, and romantic entanglements that revolved around the compilation effort. His thoroughly researched account draws on interviews with and unpublished writings by Voyager Record team members to explain the decision-making process behind various inclusions, including Chuck Berry’s rock ’n’ roll standard “Johnny B. Goode”—picked when the other pop song in contention, the Beatles’ “Here Comes the Sun,” proved unconscionably expensive —and legendary bluesman Blind Willie Johnson’s “Dark Is the Night,” “arguably the most haunting sound on the record,” for which team member and famed ethnomusicologist Alan Lomax lobbied. Scott summarizes the story best as being “about an awesome band of ordinary yet exceptional individuals who created a wonderful yet genuinely weird monument.” Delivered with effortless grace, this buoyant look at one of NASA’s most unusual but oft-overlooked efforts will appeal to music fans and astronomy buffs alike.

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  • OverDrive Listen audiobook

Languages

  • English

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